In Montana

Ok. I'll admit it. I am a complete fool for National Public Radio. I listen to it all day long at work.

One of my very favorite programs is perhaps one of the shortest aired on NPR: The Writers Almanac.  In a recent edition of The Writer's Almanac, Garrison Keillor read a poem that I connected to instantly. It's titled In Texas, by May Sarton.  Just substitute Montana each time you see the word Texas in the poem. I'm sure she didn't realize she was really writing about the Big Sky State.  Make the switch in your mind as you read it, and come to a deeper understanding of the open space we call home. 

In Texas, by May Sarton

In Texas the lid blew off the sky a long time ago
So there's nothing to keep the wind from blowing
And it blows all the time. Everywhere is far to go
So there's no hurry at all, and no reason for going.
In Texas there's so much space words have a way
Of getting lost in the silence before they're spoken
So people hang on a long time to what they have to say;
And when they say it the silence is not broken,
But it absorbs the words and slowly gives them
Over to miles of white-gold plains and gray-green hills,
And they are part of that silence that outlives them.
Nothing moves fast in Texas except the windmills
And the hawk that rises up with a clatter of wings.
(Nothing more startling here than sudden motion,
Everything is so still.) But the earth slowly swings
In time like a great swelling never-ending ocean,
And the houses that ride the tawny waves get smaller
As you get near them because you see them then
Under the whole sky, and the whole sky is so much taller
With the lid off than a million towers built by men.
After a while you can only see what's at horizon's edge,
And you are stretched with looking so far instead of near,
So you jump, you are startled by a blown piece of sedge;
You feel wide-eyed and ruminative as a ponderous steer.
In Texas you look at America with a patient eye.
You want everything to be sure and slow and set in relation
To immense skies and earth that never ends. You wonder why
People must talk and strain so much about a nation
That lives in spaces vaster than a man's dream and can go
Five hundred miles through wilderness, meeting only the hawk
And the dead rabbit in the road. What happens must be slow,
Must go deeper even than hand's work or tongue's talk,
Must rise out of the flesh like sweat after a hard day,
Must come slowly, in its own time, in its own way.